It's been an interesting and diverse week of cinematic venturing over here, one that has ranged from 2013 Oscar nominees, to Star Wars and even Heaven itself. However it all ended in a bang when my Blu Ray player died right in the middle of Jean-Luc Goddard's Weekend, he probably wouldn't have it any other way.
Screenings:
- Argo - 2012, Ben Affleck
- Star Wars: A New Hope - 1977, George Lucas
- The Story of the Last Chrysanthemums - 1939, Kenji Mizoguchi
- A Matter of Life and Death - 1946, Michael Powell and Emeric Pressburger
- The Music Room - 1958, Satyajit Ray
Argo - 35mm, Movie House Cinema
In short, bland enough to be the front runner for Best Picture.
Star Wars: A New Hope - DVD Projected, Queens Film Theatre
A rather flat and frankly childish film, far from worthy of its praise or position as a genre defining piece. There are highlights here and there, particularly some enjoyable set and costume design, but this does very little to develop the political and social boundaries that run through imagination of the world.
The Story of the Last Chrysanthemums - Blu Ray, Criterion Collection
Though the print is in dire shape, this is easily the best of
Mizoguchi's earlier works. A second-rate actor who relies on his Father's name falls in love with the woman who is honest with him.
From then it depicts their struggle to be together, and a woman who
sacrifices everything to help her husband succeed, including her health.
This is a long and draining film, beautifully captured through Mizoguchi's gliding takes and intricate
staging. It ends on a tragic image of sacrifice, and a warning to every artist.
A Matter of Life and Death - DVD, ITV Movies
More than anything else this is a key example of film architecture. Not
just in design but in its structure and textual visuals as well. The
Archers and their cinematographer Jack Cardiff tell this wonderful meditation on life without love. David Niven is a WW2 pilot who jumps from his plane only to
miraculously survive and fall in love thanks to an error within the
bureaucratic office of the powers that be. Seamlessly moving between marvelous technicolor and sterile black and white with terrific time-stopping effects. The film opens with the horrific and saddening destruction of the war, before exploding in all its glory through the eyes of someone who is awakened to it all; someone in love.
The Music Room - Blu Ray, Criterion Collection
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